Fans know to expect an action-packed Sunday night thanks to Yellowstone, which premiered on the Paramount Network in 2018. While the show now airs on Sundays, it originally found a home on Wednesday nights. Recently, The Wall Street Journal shed some insight about why the network decided to move Yellowstone to a new night.
Chris McCarthy, the president and chief executive of ViacomCBS Media Networks, made some major changes to Yellowstone when he took oversight of the production in 2019. Instead of canceling the series, McCarthy took action in order to make sure that it grew. Part of the show’s growth plan was moving the show to Sunday. For Season 3, Yellowstone began airing on Sundays so that it was on a night that viewers associate with prestige television, following a lead from HBO and Showtime.
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“We needed to do things that would signal that the show has coastal appeal,” McCarthy said. “It’s a misconception to think you can only play to the coasts or the center. The question is: How do you play to both?” Yellowstone has seen a remarkable rise in popularity since its humble beginnings. That popularity and success even led to a major pay increase for star Kevin Costner. When he initially signed on for the project, he was making $500,000 per episode for Season 1. He was later able to re-negotiate and earned $1.2 million per episode for Season 4, which wrapped this past January. That figure will reportedly grow for Season 5, as Costner is set to re-negotiate again. He stands to also get an overhead deal in exchange for negotiating for future seasons.
While Yellowstone has only grown in popularity over the years, the show originally didn’t attract much attention when it was being shopped around to various networks. In Matt Belloni’s Puck newsletter, he wrote that Netflix, FX and TNT all passed on the show when it was being shopped around. As for the reasons why Yellowstone didn’t garner much attention originally, Belloni reported that the genre, lack of international value, and the show’s target audience all played into it. Additionally, the show’s $80 million production budget meant that it was “too expensive” for broadcast television. Alas, the show eventually found its home on Paramount Network, which it airs on to this day.
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NEW YORK CITY – DECEMBER 19: "Toil and Trouble" – Elsbeth is thrown into the world of television after the showrunner of a long-running police procedural is brutally murdered in his office, and although it appears to be the act of a disgruntled fan, she begins to suspect the show's longtime star Regina Coburn (Laurie Metcalf) who yearns for artistic fulfillment. Meanwhile, Judge Crawford (Michael Emerson) continues to be a thorn in Elsbeth's side, on the CBS original series ELSBETH, Thursday, Dec. 19 (10:00-11:00 PM, ET/PT) on the CBS Television Network, and streaming on Paramount+ (live and on demand for Paramount+ with SHOWTIME subscribers, or on demand for Paramount+ Essential subscribers the day after the episode airs). Pictured (L-R): Carrie Preston as Elsbeth Tascioni and Carra Patterson as Kaya Blanke. (Photo by Michael Parmelee/CBS via Getty Images)







