Netflix's New Big Show Is Getting Brutal Reviews
Netflix's new blockbuster series Jupiter's Legacy is not getting kind treatment by critics — or [...]
Unrelatable
Samantha Nelson of Polygon may have gotten the closest to the heart of the issues with Jupiter's Legacy — it lacks a compelling thesis. Her joking headline reads: "Jupiter's Legacy devotes 8 sloggy episodes to asking 'Should superheroes kill people?'" She feels that the whole season pretends to present a nuanced debate about what superheroes should and shouldn't be able to do without adding any stakes to that question, and while demonstrating that things typically work out just fine the old-fashioned way.
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Critic Tom Long of Detroit News wrote that Jupiter's Legacy "features a dizzying array of colorful super-types both good and bad." He felt this "proliferation of characters can be disorienting," and worried that some of the best actors in the show were overshadowed because of it.
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Critic Joe Lipsett of QueerHorrorMovies.com felt that Jupiter's Legacy was simply too ambitious with "plot lines that it can't be bothered to follow through, or even explain why it's so important." He noted that he left the season feeling like he had not learned much about this fantasy world or gotten very invested in it, and even went so far as to say that he did not think it deserved a second season.
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Critic Martin Carr of Flickering Myth was more kind, feeling that Jupiter's Legacy deserved some credit for cleverly crossing the genres of a family drama and a superhero epic. He wrote that the show "takes a big swing and connects with full force" on that front.
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On the other hand, Lyra Hale of The Mary Sue felt that the focus on family drama detracted from the global narrative that would have suited this show better. She also felt that the series "tries to be too edgy."
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Norman Wilner of NOW Toronto argued that this was a rare case where a TV adaptation was actually too faithful to its source material. He felt that the amount of the story the show set out to tell was more than eight episodes could handle, resulting in a product that was "impossibly muddled."
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Finally, The Playlist critic Mike DeAngelo reiterated the common complaint that this show shares a lot in common with Watchmen, The Boys and other deconstructions of the superhero trope, without adding anything new. The series is streaming now on Netflix.
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