'Classless' Hilary Duff Photo Resurfaces Following Gawker Relaunch

After five years of absence, the gossip and pop culture website Gawker has been reborn under the [...]

The gossip and pop culture website Gawker has been reborn under the Bustle Digital Group umbrella after going dark five years ago, and quickly returned to their no-holds-barred style No website has ever stirred the pot quite like Gawker, and while they may have a fresh brand, they are still hilariously ruthless in their quest to expose the uncomfortable. In their latest bit of gossip-mongering, Gawker reminded readers of a controversial picture of Hilary Duff that she somehow still hasn't deleted

In 2019, Duff starred as murdered actress Sharon Tate in The Haunting of Sharon Tate, a slasher film that had the pregnant Tate have premonitions of her death. Duff shared a photo of herself on set as Tate holding a swaddled teddy bear with the caption "Had the baby [embarrassed emoji, bear emoji]." Considering the fact that Tate and her unborn child were murdered by members of Charles Manson's cult, many felt that this post was in poor taste and told Duff so in the comments, calling it "horrible," "classless," and "disgusting."

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A post shared by Hilary Duff (@hilaryduff)

The movie itself didn't fare any better, sitting at 19% on Rotten Tomatoes with a 29% audience score. Tate's sister Debra Tate slammed the film as "exploitive" and was also critical of Duff's portrayal. "It doesn't matter who it is acting in it – it's just tasteless," Debra told PEOPLE. "It's classless how everyone is rushing to release something for the 50th anniversary of this horrific event."

Debra also criticized the elements of the film that had Tate dreaming of her death. "I know for a fact she did not have a premonition — awake or in a dream — that she and Jay would have their throat cut," she claimed. "I checked with all of her living friends. None of her friends had any knowledge of this. Tacky, tacky, tacky. It's a total fabrication."

Writer-director Daniel Farrands claimed that the 50th anniversary of Tate's murder had very little influence on his decision to make the film. "I wanted to do a story that would change the narrative so that the victims would be able to rise up and take their power back, if you will, from their would-be killers," he told The Hollywood Reporter.