Morgan Wallen's Grand Ole Opry Performance Under Scrutiny in Wake of Scandals
01/13/2022 12:16 am EST
Joy Oladokun slams Wallen's 'thoughtless redemption tour'
In July 2021, Wallen appeared on Good Morning America to apologize again, although his comments were also found insufficient by critics. "I was around some of my friends, and we say dumb stuff together," Wallen said. "And it was – in our minds, it's playful ... that sounds ignorant, but it – that's really where it came from ... and it's wrong." The singer claimed he didn't use the racial slur "frequently" and when he did, he only said it around a "certain" group of friends.
Jason Isbell responds
While this controversy played out, Wallen's music continued to sell. In its 2021 report in collaboration with Billboard, MRC Data said Wallen's Dangerous: The Double Album was the top-selling country album and the most popular album across all genres. The record notched 3.2 million equivalent album units in 2021. When Wallen issued "Sand in My Boots" as a single in August, the song was played on the radio.
Brandi Carlile supports Joy Oladokun
On Jan. 8, the Opry tweeted a picture from Wallen's performance with ERNEST. It has quickly become a venue for criticism, with many bringing up the Opry's June 9, 2020 tweet calling racism "unacceptable" at the venue. "Racism is real. It is unacceptable. And it has no place at the Grand Ole Opry," the statement read. The Opry has not commented on the backlash.
The Black Opry founder demands answers from the Opry
Writer Holly G told the Associated Press she was in contact with the Opry's talent director to propose a show for Black History Month to work with the Black Opry. Holly G founded the Black Opry last year to highlight Black artists and fans. Holly G wrote a letter to the Opry after learning about Wallen's performance.
Allison Russell comments on the 'rot of bigotry permeating mainstream country'
"They have figured out they can invite a few Black performers to the stage and give them debuts and that will quiet or calm people down for a little bit," Holly G told the AP on Monday. "But if you look at the structural setup for the institution, nothing has changed. They have two Black members over the entire history of the institution."
'I've never been disgusted by the Opry before this,' one fan wrote
Charles Hughes, a Rhodes College professor and the author of Country Soul: Making Music and Making Race in the American South, told the AP
that welcoming Wallen's performance appeared as though a "wayward white artist" was being welcomed back. "The narrative of reconciliation is a really powerful one... and reconciliation without any reckoning, real reckoning, can actually end up worse," Hughes said. "'Cause if you don't address the problem, you just sort of act like it didn't happen."
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