Stephen King Explains the Surge in Adaptations of His Stories
In the year 2017, it's definitely good to be Stephen King. Before the year ends, there will be no [...]
"I had a really good year for corn this year."
Coming to Netflix in October is 1922, a film based on one of his short stories, which stars Thomas Jane. The author drew an interesting comparison between his success and the events of the story.
"In 1922, when Wilfred says, 'We had a really good year for corn then,' well, I had a really good year for corn this year," King joked. "There are other factors: Some of the recent things have been successful, like the miniseries of 11.22.63, and I think when that happens, people say to themselves, 'If X succeeds, maybe Y will.' But I'd like to think a lot of it is just the material, that people see something in these stories that would be visually arresting."
Last year, Hulu debuted the James Franco-starring 11.22.63, which was received with mostly positive reviews and sits at 80% on review aggregator site Rotten Tomatoes. The author has achieved a fair share of success recently, but he's also been met with some disappointments.
"That was something that had to be overcome..."
One of the most anticipated adaptations of King's came earlier this summer in the form of The Dark Tower. Based a series of multiple books, the story brought to life characters fans have been waiting to see on screen for decades. Sadly, the film was both a financial and critical disappointment, one which King is well aware of.
"The major challenge was to do a film based on a series of books that's really long, about 3,000 pages," King confessed. "The other part of it was the decision to do a PG-13 feature adaptation of books that are extremely violent and deal with violent behavior in a fairly graphic way."
"That was something that had to be overcome, although I've gotta say, I thought [screenwriter] Akiva Goldsman did a terrific job in taking a central part of the book and turning it into what I thought was a pretty good movie," the author noted.
He remains hopeful about the property, implying there's no reason to doubt the success of a forthcoming TV series.
"The TV series they're developing now…we'll see what happens with that. It would be like a complete reboot, so we'll just have to see," King shared.
prevnext"If it’s a success, it will help me do what I want to do..."
Given the varying quality of films and TV series based on his works over the years, you'd think he'd grow possessive over his content. On the contrary, the author welcomes the opportunity to reinvent his works.
"I never had a problem with it, from Carrie onward," King admitted. "Even with Carrie, my feeling was, 'They're gonna make this movie. If it's a success, it will help me do what I want to do, which is to write books.'"
King also cites the abundance of his stories as a reason that he's more likely to give an adaptation the go-ahead.
"Take a guy like William Peter Blatty when [William] Friedkin made The Exorcist: That was his baby, so it was probably an extremely important event in his life," King compared. "Same thing with Ira Levin, who did Rosemary's Baby. He was terrific, but he only wrote four novels, so when [Roman] Polanski wanted to make Rosemary's Baby, Levin was very anxious that he follow the book very closely, right down to the kind of shirts that the John Cassavetes character wore. I'm not that guy, I'm just not."
He added, "My idea is, 'If you're going to make changes, hopefully they'll work.' There are changes in It that work very well, and with Mr. Mercedes, which is on TV now, there are some terrific changes from the book. Sometimes you make those changes and they don't work really well, and I'm always sorry when that happens."
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